My background in 3D began through architectural and urban visualization work and later expanded into product assets, environments, character-related studies, and interactive experiences. Across these projects, I explored how geometry, topology, materials, lighting, and composition work together to create believable digital objects and spaces.

My process typically moves from modeling and topology refinement into UV mapping, texturing, material development, lighting, and final rendering. Depending on the project, I work across Blender, 3ds Max, ZBrush, Marvelous Designer, and Substance Painter, selecting tools based on the type of asset and the level of visual or technical detail required.

This experience later became especially valuable in projects such as AEGIS and Beypazarı AR, where 3D assets were not created only for presentation but also needed to be prepared and optimized for real-time interactive environments.